by bordonbert Fri Dec 08, 2023 7:55 pm
Hi YoMusicMan. That does look odd if you aren't up with the relevant schematics. I will be honest again and admit that I don't have the GM40D's but I do have access to the GM36 schematics and they are pretty similar. In terms of functionality like the Channel Selection the rule is, if it works don't change it. I would put money on your GM40D being the same as my GM36 in that area. Remember, the switch simply feeds your selection back to the digital processing section which is then the part that sets everything up, the switch does not make changes to the amp directly. It simply connects a pair of digital signal lines to ground which tells the processor what it is expected to do. I've added a clip of the switching wiring to make this a bit clearer.
If we look at the switch action and wiring and think about it a bit, you can see that the switch poles are actually merely creating a two bit digital number. The left and right side pairs, A+B and C+D, create two different bits of the number. If we consider each line being connected to ground as creating a "0" and those being left high as a "1" we have the following. Clean = 0+0, Crunch = 1+0, Lead=0+1, Ultra = 1+1. Reversing the order of those bits which the processor will do gives 00, 01, 10, 11. That represents 0, 1, 2 and 3 in binary. The processor reads this and knows which channel it must set up.
Let me say right at the start to relieve your worries, I'm sure what you are seeing is not a problem, it's most likely a natural feature of a couple of design points. Firstly the switch itself is an unusual layout. It does not work like a traditional rotary switch with a terminal for each channel and a fifth selection terminal which moves from one to the other. Each pole of the switch has six connection terminals in a row with a dumb slider which moves across them and which only connects them in pairs as it moves. It connects every other one, never a pair next to each other. With the centre pair joined as a single terminal this gives us the centre connecting to each of the outer 4 terminals in turn. You can see this in the schematic picture I've posted from that setup where the slider is the small connection on the outside of the terminals, 5 to 3 for example. This way all that is happening is that the slider is shorting out two of the terminals at each position with one between them always left unconnected. This is quite a common approach to multiway slider switches. It leads to some unusual combinations but they work in the case of our amp.
I can see your issue occurring if the left pair of poles connects 3+2 before 14+13 has been broken. In that case the result is both lines grounded giving us "0" which is the selection for Clean. When you turn the knob the next selection may or may not be connected up before the previous one has been broken. I think we have a situation where it is simply that occurrence giving us a "false 0" in that one intermediate state. From the logic inside the digital section, the processor is merely defaulting to the Clean channel settings until the contact is made correctly inside the switch.
I think that is at the root of what you are seeing. It does not mean that there is anything wrong with the action of the amp, nor does it mean the switch is giving up the ghost. I hope that makes sense and is not too technical. I wouldn't have thought that the MIDI selection would have the same effect as long as you don't see the Clean LED lighting up temporarily as it accesses the Clean channel. I'll certainly have a think about this and get back to you but I wouldn't expect that volume drop to be down to this effect. (Though I have been wrong before!
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EDIT: I've contacted H&K support direct for their thoughts on this. Let's see what they say YoMusicMan. They aren't too quick to respond sometimes if there are trade shows and the like but they usually come through in the end. I'll keep you up to date of course.
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