Been working on retooling my performance sounds using the GMD40, which I absolutely love for its versatility using its MIDI capability, with a BOSS GT-1000 multi-effects processor as MIDI controller...much better than the BOSS GT-100 which had serious limitations in that area. Can essentially program set lists into the GT-1000 and avoid all the pedal dancing of the past. Aiming for appropriate levels of overdrive/distortion for the songs we play: clean, clean with a touch of breakup, crunch, & filthy (lead channel), the fullest sound I can get for each without being harsh, ice-picky or muddy. Am starting off with as high a volume as I can for the level of gain I want, and dialing back the resonance with the dirtier sounds to avoid mud. And yes I realize these are "bedroom" sounds and will need later adjustment in the full band mix. Am also employing the 4CM method, with the output level from the GT-1000 into the GMD40 effects loop delivering something very close to what I'd get by just plugging the guitar in directly to the amp input.
Anyway, things sounded great when I initially dialed in what I wanted, then as I kept practicing as I did for the better part of the day yesterday, I couldn't stand to hear anything but the clean sound and had to stop. Did I just experience what's known as "listener fatigue," or am I realizing things were too harsh all along, and should dial back the gain more than I thought?
Part of the trouble may stem from attempting to simulate the huge sound of multi-tracked guitar parts that are mostly clean or slightly overdriven on record, that when brought together deliver that huge sound we hear on records by bands such as Green Day, to name the first that came to mind. Advice welcome!!
Anyway, things sounded great when I initially dialed in what I wanted, then as I kept practicing as I did for the better part of the day yesterday, I couldn't stand to hear anything but the clean sound and had to stop. Did I just experience what's known as "listener fatigue," or am I realizing things were too harsh all along, and should dial back the gain more than I thought?
Part of the trouble may stem from attempting to simulate the huge sound of multi-tracked guitar parts that are mostly clean or slightly overdriven on record, that when brought together deliver that huge sound we hear on records by bands such as Green Day, to name the first that came to mind. Advice welcome!!